This past summer I was reading about early botanists and their experiments trying to understand what a plant needs to make it grow, this led me to start researching how we have and continue to manipulate plants. Through grafting techniques and hybridization within species todays geneticists continue moving forward with genetically modifying crops and now they have been tinkering with flowers. Last year researchers created a genuinely blue chrysanthemum by splicing two genes from true blue (non chrysanthemum) flowers to the normally pink or reddish flower. This information along with my love of science or as Margaret Atwood calls her work Speculative Fiction started me to question the future of Transgenic Flowers.

I have started to imagine I am a biotech florist, creating single stem bouquets in my studio that grow as a fully formed flower arrangement blooming in unison. Through the medium of oil and pigment various species of flowers have been genetically modified and grafted into root stock using hogs hair brushes onto the surface of my wood panels.

These new paintings reference back to old master Dutch flower paintings that despite their breathtaking illusionism do not reflect reality as the panoply of rare petals never actually bloomed together and were a construct pieced together from studies done when the flowers were actually in bloom throughout the growing season.

The Von Humboldt
oil on wood panel, 28 x 22", 2018
The Von Humboldt (detail)
The Von Humboldt (detail)
The Von Humboldt (side detail)
The Atwood
Oil on wood panel, 28.75 x 22", 2018
The Atwood (detail)
The Atwood (side detail)
The Atwood (detail)
The Collinson Bouquet
Oil on wood panel, 30 x 22",2019
Do Electric Sheep Dream of Transgenic Flowers?
oil on wood panel, 36 x 24", 2019
Do Electric Sheep Dream of Transgenic Flowers? Detail
The Scott
19 x 12" Framed, Oil on wood panel, 2019
The Mendel
19 x 12" Framed, Oil on wood panel, 2019
The Mendel
Side Frame Detail
The Mendel
Side Frame Detail